Mostly landscape and cityscape paintings. For a tag cloud of the painters see bottom of the page. Because the tag cloud allows only 45 names, all the painters are are included in the category list at bottom of the page.

Frans Hals Museum

Hendrik Vroom – Frans Hals Museum os I-348. Gezicht op Haarlem vanaf het Noorder Buiten Spaarne (c. 1620-1630)

Hendrik Vroom – Frans Hals Museum os I-348. Title: Gezicht op Haarlem vanaf het Noorder Buiten Spaarne. Date: c. 1620-1630. Materials: oil on canvas. Dimensions: 61 x 122.5 cm. Nr.: os I-348. Source:


Cornelis Vroom – Frans Hals Museum OS I-551. River landscape with imaginary Roman ruins (c. 1626)

Materials: oil on panel. Dimensions: 29.5 x 60 cm. Nr.: OS I-551. Source:

An Italianate landscape, centring on the ruins of a tall, classical Roman edifice, described as a tomb. Reliefs on this building include a figure on a throne and a horseman. The landscape is populated with various human figures, some of whom travel in a rowing boat along the river in the foreground. Vroom himself had most probably never been to Italy. He is likely to have drawn his inspiration from the work of colleagues, particularly Adam Elsheimer and Jan van de Velde. His ignorance of things Italian might explain the presence of some very Dutch-looking plants and trees, and the typically Dutch motif of the woman knocking acorns out of a tree for her pigs (

Jacob van Ruisdael – Frans Hals Museum OS I-299. Dune landscape with a rabbit hunt (c. 1650-1655)

Materials: oil on panel. Dimensions: 33.5 x 38 cm. Nr.: OS I-299. Source:

A small early work by the most famous landscape painter of the Golden Age. Jacob van Ruisdael probably painted it when he was in his early twenties. The size and the way in which the clouds and the chiaroscuro are handled make it very similar to other early work by the painter. It shows a dune landscape near Haarlem, a subject that was also popular with other painters of the period. On the left is a hunter with a dog, hunting a rabbit. In the centre foreground, a red-coated man on a horse creates a subtle contrasting accent against the green. Behind him are some buildings and a little windmill. The sea can just be glimpsed on the horizon. Jacob borrowed one of his uncle Salomon’s tricks to suggest depth: a bank of cloud running diagonally (

Pieter Post – Frans Hals Museum. OS 95-86. The departure of Abraham and Lot (c. 1630)

Materials: oil on canvas. Dimensions: 63 x 62.5 cm. Nr.: OS 95-86 Sursa: