Mostly landscape and cityscape paintings. For a tag cloud of the painters see bottom of the page. Because the tag cloud allows only 45 names, all the painters are are included in the category list at bottom of the page.

Giovanni Battista Lusieri

Giovanni Battista Lusieri – private collection. A Panoramic View of Rome From the Aventine Hill Towards the South (c. 1780s)

Giovanni Battista Lusieri – private collection. Title: A panoramic view of Rome from the Aventine Hill towards the South. Date: c. 1780s. Materials: watercolor. Dimensions: 55.5 x 97 cm. Sold by Christie’s in London, on July 4, 2023. Source: https://www.evernote.com/shard/s194/res/46aa1512-7c4e-4a0d-811c-c6409cd761b6

Giovanni Battista Lusieri – private collection. A View of the Tiber Valley towards the North from Monte Mario (c. 1778-1779)

Giovanni Battista Lusieri – private collection. Title: A View of the Tiber Valley towards the North from Monte Mario. Date: c. 1778-1779. Materials: graphite, pen and black ink, watercolor. Dimensions: 58.9 x 96.4 cm. Sold by Christie’s on July 5, 2022, in London. Source: https://mdl.artvee.com/sftb/534073ld.jpg.

Giovanni Battista Lusieri – The J. Paul Getty Museum 85.GC.281. A View of the Bay of Naples, Looking Southwest from the Pizzofalcone Toward Capo di Posilippo (1791)

Materials: Pen and ink, gouache, and watercolor on six sheets of paper. Dimensions 102 x 272 cm. Nr.: 85.GC.281. Source: www.getty.edu/art/collections/images/enlarge/00089001.JPG

Sir William Hamilton, British envoy to the court of Naples from 1764 to 1800, wanted a painting of the panoramic view of the Bay of Naples from his apartment window. He sought out the Italian artist Giovanni Battista Lusieri, whose detailed drawings and watercolors of views of Naples and other Italian sites were popular with Grand Tourists in the 1780s and 1790s.

Lusieri produced this sweeping view on six sheets of watercolor paper. Its clarity, purity of color, and accuracy of detail led many people to believe that Lusieri used a telescope or camera obscura to record the intricacies, proportion, and perspective of his settings. He was a slow and painstaking draftsman; this drawing is one of his few important, completely finished works. He proceeded slowly, first drawing the entire scene in outline down to the smallest detail with a faint but hard pencil and then finishing and coloring the work on location, rather than in a studio. An English tourist wrote of Lusieri: “As an artist he was always slow in deliberation; but it was the tardiness of the most scrupulous accuracy; for he frequently laid on even his colours on the spot…”(http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=890).